The Latest

You never have to change anything you got up in the middle of the night to write.
Saul Bellow (via writersbloqinc)

(via writersbloqinc)

Jan 31, 2014 / 79 notes
Jan 31, 2014 / 1 note

Columbia J-School suggested reading list

Arts and culture writing:


Waris Ahluwalia
Jan 30, 2014 / 38,325 notes

Waris Ahluwalia

(via furrowedbrow)

nevver:

Never quit
Jan 30, 2014 / 1,780 notes
breakfastofthegods:

janeeee
Jan 30, 2014 / 515 notes
laurietrueman:

Watching the breakfast club in bed  
Jan 30, 2014 / 9 notes

laurietrueman:

Watching the breakfast club in bed  

(via alyzalyz)

Jan 30, 2014

"You have to find a mix of passion projects and “doin’ it for the dollars” projects. I’ve been a freelancer for seven years and I’ve been lucky enough to land some awesome gigs, but sometimes it seems like the more prestigious, more fun jobs are the ones that end up paying the worst, in terms of the amount of time put in. Every successful freelancer I know has found some kind of balance between working on the things they love to write about and working on things that pay the bills. So like everything, there’s a bit of that. Of course, it’s all working towards the dream: that the passion project will eventually pay off. (Shout if you know any billionaires who’d like to invest in Narratively.)"

Narrative.ly editor Brendan Spiegel on freelance journalism

lostinurbanism:

Fannie Lou Hamer Speaks Out, Essence Magazine (October 1971) photographed by Louis Draper
Jan 30, 2014 / 131 notes

lostinurbanism:

Fannie Lou Hamer Speaks Out, Essence Magazine (October 1971) photographed by Louis Draper

Every first draft is perfect, because all a first draft has to do is exist.
Jane Smiley (via inspired-to-write)

(via booksandpublishing)

Jan 29, 2014 / 47,866 notes
'I could say that On the Road was an overt metaphor for the Vietnam War and they would jot it down in their notebooks without any hesitation whatsoever,' said Mabrey, adding that, come midterms, her students will, as if on cue, mindlessly regurgitate whatever she tells them, whether it’s that the character of Dean Moriarty is supposed to be a figment of Sal Paradise’s imagination, or that the entire novel is meant to be read backwards.
The Onion continues its blockbuster literary coverage with a look into the mind of an ordinary English professor. Her epiphany? No matter what she says, her students will believe her. (via millionsmillions)
Jan 29, 2014 / 66 notes